Make use of hair lights in portrait photography. Hair lights will “pluck” the head of the subject out of a fairly neutral background.
If you would like to go ahead and add in a certain sense of dimensionality to what you are trying to do or pull off as a portrait photographer, then the incorporation of hair lights is the best way for you to o at the end of the day. Make sure that you get to initiate this in such a way wherein the lighting is not that harsh or not too glaring. Go for something that is fairly muted and subdued because this kind of lighting is the most ideal kind of hair light. In order for you to be able to achieve this as a portrait photographer, you need to position a low quality light source from the back of where the subject is seated. You will get more than stellar results every single time so make sure that you are able to get something like this checked out at the end of the day.
Lights positioned under the face can be very unflattering in portrait photography.
Try to avoid lighting sources that are positioned directly underneath the face of the subject. This kind of lighting can make the subject look ghastly and haunting and that is never a good look, when you come to think about it. You need to make sure that as much as possible, you will be able to check out the nuances of the job in such a way wherein things will always get to pan out according to plan when it all comes down to it. You need to know what you are in it for as much as possible. Under-face lighting has never been a thing and from the looks of the results of using it, it never will be. Portrait photography is all about casting the best possible kind of light to the subjects that you are working with so try to put it like so whenever you can.
Far light instantly equates to harsh lighting and must be avoided at all times.
If you observe studio lighting setups well enough, you will notice that most of them have the lighting sources glaringly close to the subject at all times. This is because far light, on the other hand, can make the light sort of harsh and unflattering. Like the photographers in Reading, you should try to avoid using light that is positioned from afar at all times. This is not the kind of thing that will get to bring you a lot of benefits somewhere along the way. As much as possible, you need lighting that is flattering and interesting to look at. You will only be able to pull something like that off if you completely remove far light from the equation as a portrait photographer.
Diffusion is your best friend in portrait photography.
Diffused light wraps around the skin of the subject without drowning out the distinct facial features. This is why you always need to get things like these checked out as much as possible.